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  1. Coauthor: Armando Munoz
  2. Biography: Writer and director of tasty horror films, author of the novels Hoarder and Turkey Day. Also known as DJ Pervula.

Genre - Fantasy runtime - 1 Hour 43 Minutes Liked it - 857 Vote Review - Haiti, 1962. A man is brought back from the dead to work in the hell of sugar cane plantations. 55 years later, a Haitian teenager tells her friends her family secret - not suspecting that it will push one of them to commit the irreparable tomatometer - 6,9 of 10 star star - Louise Labeque. Critics Consensus If the strain of its ambitious juggling act sometimes shows, Zombi Child remains an entertainingly audacious experience, enlivened with thought-provoking themes. 86% TOMATOMETER Total Count: 66 Coming soon Release date: Jan 24, 2020 Audience Score Ratings: Not yet available Zombi Child Ratings & Reviews Explanation Tickets & Showtimes The movie doesn't seem to be playing near you. Go back Enter your location to see showtimes near you. Zombi Child Photos Movie Info Haiti, 1962: A man is brought back from the dead only to be sent to the living hell of the sugarcane fields. In Paris, 55 years later, at the prestigious Légion d'honneur boarding school, a Haitian girl confesses an old family secret to a group of new friends -- never imagining that this strange tale will convince a heartbroken classmate to do the unthinkable. Rating: NR Genre: Directed By: Written By: In Theaters: Jan 24, 2020 limited Runtime: 103 minutes Studio: Film Movement Cast News & Interviews for Zombi Child Critic Reviews for Zombi Child Audience Reviews for Zombi Child Zombi Child Quotes News & Features.

One of the writers totally watched a mental patient documentary for one of their characters. nothing works here lol. Wow stupid american movie. Kenapa kagak dibakar dari pertama itu gudang pas siang siang pasti udah beres itu masalah goblok banget. I thought at first I clicked on a Porn trailer. A criança zombie movies. Copyright 2017, All rights reserved. Disclaimer: This site does not store any files on its server. All contents are provided by non-affiliated third parties. 😳😳😳😳. ELI, PLEASE BAD, I LOVE Mackenzie Davis ever since Halt & Catch Fire. Im so excited. 😆. Saw a few references in that,cujo,silent hill,Dead ringers. One Cronenberg movie that could do with a remake is The Brood.

A Criança zombie walk. 2 chicks 3 dudes yea nuttn bad can happen lol. A Criança zombie apocalypse. 0:20 bruh sound effect in the background music. A criança zombie youtube. "Mixing political commentary, ethnography, teenage melodrama and genre horror, the film is an unashamedly cerebral study of multiple themes – colonialism, revolution, liberalism, racial difference and female desire - with its unconventional narrative structure taking us a journey that’s as intellectually demanding as it is compelling. Bonello takes Haitian history and culture absolutely seriously, and in juxtaposing them with the most exclusively white French experience imaginable..., Zombi Child poses timely and provocative questions. Crisp lensing by Yves Cape, Katia Wyszkop’s design, and music by artists including rapper Damso, plus Bonello himself, combine to make a richly conceived piece. Strong performances from the young cast, including charismatic newcomer Louimat, make this a zombi drama that’s not undead but bracingly alive. " "Instead of overlaying modern-day signifiers on a period piece setting, as he did in House of Pleasures, Zombi Child suggests two temporalities that exist parallel to each other. And the anxiety this creates—through discursive editing and match cuts—leads to a feverish payoff, one that uses genre and supernatural elements to further Bonello’s idea of there being one historical continuity. " Sam Mac, Slant Magazine "Folding history onto itself more explicitly than any of Bonello’s previous films, “Zombi Child” peels back centuries of racist stereotypes to rescue Voodoo from the stuff of black magic and portray it instead as a kind of communion — a communion between spirits, a communion between generations, and a communion between the dislocated joints of an empire. [E]ven the most terrifying scenes are rooted in something real. " David Ehrlich, IndieWire "Bonello’s exquisite use of craft, including poetic day-for-night photography by Yves Cape (Holy Motors) and a strong electro-rock score, is definitely a plus, creating an ambiance that bewitchingly accompanies the action. " Jordan Mintzer, The Hollywood Reporter "A captivating cinematic experience, Zombi Child is a sorority film about a culture whose members live in the constant presence of death as a result of a powerful and potentially violent link, implicitly referencing topics such as the karma of slavery, the betrayal of values, the loss of memory, the sense of belonging to a community, the power of spirits, myths and reality, the doors of our imagination, etc. These many themes (among others) are very subtly hinted at by Bertrand Bonello from beneath the cloak of what seems to be a modern, girl-focused teen movie but which is actually crossed with a historical film and a semi-ethnographic documentary. It’s a surprising and fascinating mix which will require more than one viewing to reveal all of its earthly secrets. " Fabien Lemercier, Cineuropa "It gets under your skin, with the audacious and cunning mystique of a magician who always has one more trick prepared. Bonello leaves us hypnotised and hungrily begging for more. " Ella Kemp, Little White Lies "[W]hat it has going for it is Bonello’s typically seductive craftsmanship—his way with a suggestive cut or a perfect needle drop. I knew from the prologue, a stretch of hypnotically wordless visual storytelling, that I was back in the hands of a filmmaker who’d make the journey worth taking. " A. A. Dowd, AV Club "The most direct confrontation with the zombie figure, however, could be found in Bertrand Bonello’s Zombi Child, a highlight of the parallel Directors Fortnight section, and indeed of the entire festival. As always with Bonello, the film is both conceptual and visceral as it builds up a dialectical charge between its two storylines and functions equally as a delirious teen-horror reverie, a serious study of the zombie myth, and an open-ended riff on the persistence of the colonial past. " Dennis Lim, ArtForum "Zombi Child is a stirring and highly peculiar piece of work. The Haiti-set sequences are richly atmospheric while sensitive to the material. The horror lies in the zombie’s experience and how it serves as a metaphor for a nation’s history: enslaved, controlled, debased. Yves Cape’s cinematography here is positively stunning. Silvery moonlight, long drapes of shadow, bodies staggering in the dark, sugarcane fields cast in an eerie nocturnal glow. Bonello’s own Tangerine Dream-style score, too, lends the film a crucial nightmarish potency. " Martyn Conterio, CineVue "Zombi Child is the kind of lithe and lucid dream that gets its tendrils round your brain stem, so that when all hell finally breaks loose, you can't jolt yourself awake from its grip. " Robbie Collin, Daily Telegraph "Bonello's deep love for genre, his detailed research into the Haitian culture and his handle on the deft art of making you care for his characters results in a poetic and incredibly moving film. " Kathryn McLaughlin, SciFi Now "Zombi Child is suspenseful and watchable thanks to impressively sublime uses of lighting and colour, a contrast between earnest teen girl romantic fantasy and arch humour and bursts of pop music. It all culminates in a wildly flamboyant finale, but the shift to standard horror mode ends up being the movie's biggest shock. " Kevin Ritchie, Now "intillating... “Zombi Child” is fueled by insinuation and fascination. " Glenn Kenny, The New York Times "In his latest film, Zombi Child, Bertrand Bonello complements his usual emphasis on aesthetics with an insightful critique of colonialism and the contradictions of liberalism. Far from clinical or scholarly, however, Zombi Child is teeming with vivid hangout scenes and brilliant slices of life... it is these moments that make the revelations visceral rather than didactic. " Forrest Cardamenis, Hyperallergic "French director Bertrand Bonello’s experimental horror film dazzles through unconventional storytelling and an electrifying score. “Zombi Child” is a rollercoaster to watch as it clashes together narrative themes, social topics and variations on lighting and music. It’s inventive, it’s lively … it’s cool. " Alexandra Bentzien, Washington Square News "It’s compelling, entertaining, and ends on terrific sequence after terrific sequence. " Joey Magidson, Awards Circuit "[A]n engaging and political piece of cinema. " Brianna Zigler, Screen Queens "After his exquisite “Nocturama”, Bertrand Bonello returns with another raw, inclusive and accurate take on Millennials’ perspectives and behavior. Blending mysticism, social commentary, environmental issues, horror and teen drama, Bonello scores another goal with this efficient, Gothic-infused coming-of-age story. Mysteriously seductive, it depicts the strong and ambiguous bond of a group of girls forming a special club where they reveal their most dark secrets in order to prove loyalty. Their newest member is a Haitian refugee still in process of adaptation. The story connects past and present, the zombified culture in Haiti, its devastating earthquake, victims and survivors, the current refugee situation in Europe, all seen through the girls’ experiences. A powerful statement on prejudice and the quest for freedom and acceptance, Bonello extracts wickedly fascinating performances from the young cast, while guiding the audience through a haunting experience. " Roger Costa, Brazilian Press "Bertrand Bonello's bifurcated drama explores the allure of the exotic, and how strongly we may wish that the most far-fetched and fantastical of stories might be true after all. With exceptional cinematography by Yves Cape, the zombie flashbacks are dramatized in an almost documentary fashion, which frankly makes them more horrifying. " David Morgan, CBS News "With Zombi Child, Bertrand Bonello has made a film that tries to reclaim the zombie’s classic roots. Returning in it are mystic voodoo tropes and evil voodoo masters, which haven’t really been seen in the genre since its pre-Romero heydays (outside of The Serpent and the Rainbow). But rather than merely being an update of White Zombie and its ilk, Zombi Child takes a postmodern, historical bent that makes the movie into something a whole lot more. Zombi Child ends strongly, telling a powerful story of generational trauma, and re-codifying the meaning of the zombie for new thematic resonance. That the entire movie preceding is gorgeous to look at and poetic in its movements is an easy bonus. " JM Mutore, "With "Zombi Child" [Bonello] takes a genre and blows it to smithereens by mashing horror with voodoo, teen coming-of-age, and, of course, the ever-popular zombie thriller. Bonello effectively tackles themes such as freedom, slavery and white privilege. And the final 20 minutes are absolutely riveting including the use of an unexpected but effective classic show tune at the very end. " Frank J. Avella, EDGE Media Network "Like his other recent films, “Zombi Child” looks and sounds beautiful, lush, and immersive – writer-directors this intellectually ambitious are rarely such seductive stylists as well... film is thrilling to watch, because it truly feels like anything is possible as Bonello teases different directions the film might head. “Zombi Child” is the rare film that’s both rich in ideas and fun, a reckoning with forces colonial powers would like buried, but that won’t stay dead. " Joe Blessing, The Playlist "It is a film that breaths, letting each detail marinate in an audience member’s mind, allowing for the film’s elements to be fully fleshed out, creating an unique experience for audiences" Stephanie Archer, Film Inquiry "Bertrand Bonello’s latest film ‘Zombi Child’ is a haunting tale of colonialism and faith in a higher power of any kind. [P]repare yourself for a deep and dark look into the roots of slavery in the past 60 years of human history, as well as the modern ways we still treat Black people in France and beyond. Vital barely begins to cover it. " Liam Haber, The Knockturnal "Whether or not you catch on to the meaning of its warped and spellbinding climax, Zombi Child meritoriously wields slow-burn for an electrifying payoff. Zombi Child marches to an innocuous and bone-chilling beat before unfurling its tapestry of the sacred, absurd, and tragic. But counterbalancing its nuttiness is an ending that represents recovery, the finalization of humanity restored. " Caroline Cao, Slash Film "{T]his is a genre-blending horror satire on the country’s racial divisions that delves into the country’s post-colonial heritage and the myth of Haitian zombie legend. " Ed Frankl, The Film Stage "[E]erie and entrancing.... " Ignatiy Vishnevetsky, AV Club "Filmmaker Bertrand Bonello blends his singular style with his fascination with voodoo for an exceptional film. " Kathleen Sachs, Chicago Reader "sential, subversive and devilishly clever. " Michael Smith, White City Cinema "Bonello proves that he’s among the highest order of working filmmakers, a director so sure of his hand that he’s able to walk the tightest of ropes, weaving together narratives both intimate and cosmic, into something that is as provocative as it is sincere and emotionally shattering. " Joshua Brunsting, Criterion Cast "ZOMBI CHILD is a gorgeously realized, deftly constructed, genuinely thought-provoking, highly empathetic film buoyed by the nuanced, powerhouse performances by Labèque, Louimat and Milfort. (All three should soon be inundated with rich roles, if there’s any justice in the world. )" Shawn Macomber, Rue Morgue "Zombi Child throws out all conventions and makes you think, as opposed to make you scream. Once you get to the core, though, the creep factor slowly leaks out and grabs you by the throat. Bonello entwines the history with horror in unconventional ways, using social commentary and innuendo like a master. " Corey Danna, Horror Geek Life.

Going to an isolated place for Christmas was never a great idea. After giving multiple shots to the arm of contemporary French cinema with such audacious films as House of Tolerance, Saint Laurent (NYFF52), and Nocturama, Bertrand Bonello injects urgency and history into the well-worn walking-dead genre with this unconventional plunge into horror-fantasy. Bonello moves fluidly between 1962 Haiti, where a young man known as Clairvius Narcisse (Mackenson Bijou), made into a zombie by his resentful brother, ends up working as a slave in the sugar cane fields, and a contemporary Paris girls’ boarding school, where a white teenage girl (Louise Labèque) befriends Clairvius’s direct descendant ( Wislanda Louimat), who was orphaned in the 2010 Haiti earthquake. These two disparate strands ultimately come together in a film that evokes Jacques Tourneur more than George Romero, and feverishly dissolves boundaries of time and space as it questions colonialist mythmaking. A Film Movement release. An NYFF57 selection. Watch Bertrand Bonello discuss the origins and influences of Zombi Child below.

Dammit, Gary...
I was waiting for this I can't wait for the movie so much movies are coming out on February 14😱 Wait is Bobo Stewart going to be in zombies 2 ooo I'm thinking Ariel and Bobo❤😱.
I swear if this goes on netflix id watch it alot.
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And yet another example of why most things should just be left well enough alone. Me: plays ded rising Also me: sees this vid finally blood and guts. A Criança zombie zombie.


A criança zombie song. Ive seen this already and want to watch it again. Duration=103 M; Year=2019; Fantasy; Bertrand Bonello; actor=Louise Labeque; 698 votes. [META] The /r/eastereggs Fourth Annual "Best of the Year" Awards. Announcement Welcome to the *fourth* annual "Best of the Year" awards! The reddit admins have kindly agreed to give away 20, 000 reddit coins to all subreddits with more than 1000 subscribers. What are reddit coins? Reddit coins can be exchanged for a premium subscription service that gives you extra features and perks on reddit. Look here for further details. We're going to have one category this year. Best Post" and see how it goes. Categ.

That was amazing! Reminds me of when Black Mirror was good. Beginning in Haiti in the early sixties, Zombi Child" deals with voodoo and is one of the best and most poetic horror films in many a moon. It is obvious from the title and the setting that we are meant to think of a much earlier film with a similar setting but that would appear to be where the comparisons with Jacques Tourneur's "I Walked with a Zombie" ends for in the next scene we are in comtemporary France and a group of schoolgirls are being taught French history in a very white classroom.
What follows is a deliciously unsettling movie that manages to encompass the pains of teenage romance with a tale of the 'undead' as a metaphor for colonialism and it actually works. I can't think of too many examples in recent cinema where two opposing themes have been as beautifully united as they are here. In some ways it's closer to something like "The Neon Demon" or the recent remake of "Suspiria" than it is to Val Lewton. Here is a film with a creeping sense of dread, we've all seen films in which schoolgirls are not as sweet as they appear to be) and the grand guignol finale is as spooky as a good horror movie should be. It also confirms director Bertrand Bonello as one of the most exciting talents working anywhere today.

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